Some years ago, I read James Shapiro’s 1599, which won the Samuel Johnson Prize for non-fiction. I’ll admit I’m not one to read non-fiction books very often – outside of linguistics, of course. I tend to reserve book reading for fiction and occasionally poetry. Reading a year in the life of Shakespeare, however, was a different matter. Shapiro’s 1599 brough
t together history and social context with textual analysis of Henry V, Julius Caesar and As You Like It, along with some of the influences on Hamlet, which Shakespeare started in that same year. While some critics felt this volume was too encyclopaedic and lacking in soul, it certainly whetted my appetite. Unfortunately, I had to wait some ten years.
I’ve just finished reading Shapiro’s next instalment, 1606, which covers the context around the writing of King Lear, Macbeth and Anthony and Cleopatra. I’ve never been a strong fan of Anthony and Cleopatra as a play and was glad that it didn’t take up much of the book. Most of this volume is about the Gunpowder Plot of 1605 and the ways it influenced the writing and performance of King Lear, and to a lesser extent, Macbeth. While the political climate of 1606 – and the reminder that Shakespeare was also a Jacobean – made for interesting reading, I found even more fascinating the textual analysis of Lear. Shapiro demonstrates how Shakespeare’s Lear drew from King Leir, the anonymously-authored Elizabethan play, and more importantly how it di
verged from it, rendering a much more complex ending. Shapiro has also unearthed the influence and direct borrowings from Harsnett’s Declaration of Egregious Popish Impostures, which gave guidance on how to spot people faking demonic possession – a popular topic at the time.
I could say a great deal more about both 1599 and 1606, but I don’t wish to give away any more than I already have. Yes, it sounds as if I’m talking about a novel and not a literary history – this is a sign of good writing coupled with captivating interpretations.

For Syria, Brexit and Trump, there are lists of hideous events and poisonous rhetoric that have helped to make 2016 notorious even before it’s ended. Finding the good in such a year is not only challenging, but necessary. The alternative would be to shut down and sulk, permitting the bad things to fester and grow worse in the mind’s eye.
e – a sad, but fulfilling experience. Back in England and France, we have enjoyed good health and the company of friends and family, interspersed with reading, writing, playing golf and going to cinemas, concerts, galleries etc. Life has been full and satisfying, even under the cloud of this annus horribilis.
and repeated so often, they are taken as fact. The word itself, apparently first coined by writer Norman Mailer, takes its ‘oid’ suffix form the Greek word for appearance or form. This definition has been expanded and according to a few online dictionaries, a factoid is also a small or trivial fact. In this newer definition lies another danger – factoids are no longer half-baked truths, they’re just mini-truths.


