In brief – a good thriller, but not a very good novel. It had all the page-turning qualities of a competent thriller, even though I suspected I knew whodunit about two thirds of the way in. Paula Hawkins’ novel is well written, a crisp prose with believable characters. But it is only just a thriller and as such at times I felt as if I were reading a detailed treatment of a screenplay. While that’s all fine for the thriller genre, this book doesn’t extend beyond that. In contrast, the Stieg Larsson books made for good thrillers and good novels. They explored social ills in Sweden, such as violence against women, while giving its readers thriller plotlines. So too with Gillian Flynn’s Gone Girl, which combined thriller with social satire. Once again, I’m left wondering what all the fuss is about.
Published by trimarcoblog
I'm a writer and linguist. My short stories have been published in several literary magazines and some of my stage plays have been professionally performed with the support of Arts Council England. One of my essays was shortlisted by Wasafiri Magazine for their Life Writing Competition 2014. As a linguist, I've authored four textbooks, including Digital Textuality (2015, Palgrave Macmillan), and I've had my research published in several books and journals. I am also a regular contributor to the Literary Encyclopedia. View all posts by trimarcoblog